Jenna Sutela's A door through the crevice of which moonshine peeps in consists of two photographs showing the profile of a face. The mirrored diptych transfers movement and perception into a two-dimensional image, deriving its dynamics from the sculpture 8–13 Hz (2024). In 8–13 Hz, a glass head generates pulsating light patterns based on neural activities of the brain, so-called Mu waves. The diptych takes up this idea by translating the movement of light and subtle, rhythmic processes into photographic forms. In this way, processes that normally remain invisible – neural activity, bodily presence, and their temporal dynamics – become perceptible as visible structures.

Jenna Sutela will exhibit in the Finnish Pavilion at the 61st Venice Biennale in 2026. She will participate in the group show New Humans: Memories of the Future of the extended New Museum opening in spring 2026.

Lou Jaworski follows a post-minimalist approach in his sculptures, installations, and prints, characterized by a reduced formal language. By using charged materials such as marble, ferrite magnets, graphite, and meteorites, he reaches a timeless and universal level that evokes both mystical and digital references. His concept-based works combine material autonomy, ephemeral abstraction, and physical principles in site-specific installations. The wall sculpture YYYY exemplifies this approach: it abstracts a symbol used in digital space as a placeholder for a year, while simultaneously referring to all years, the calendar, natural cycles, the change of seasons, and, in a broader sense, the cosmos.

Lou Jaworski

YYYY, 2025

Fusion of stainless steel

160 x 45 cm